Perhaps the most fantastic slapstick of the century’s 1st decade, the influence of Melies is obvious [note: R.W. Paul, producer and cinematographer of “The ‘?’ Motorist”, built the 1st camera used by Melies].
However, unlike most works by his fellow cinemagician, Walter R. Booth’s “Mad Motorist” is not constrained to the theater-style setting. Alternating between studio sets and external shots, the chaos is taken to new heights, literally. Seriously, man, it’s out of this world.
May 20, 2012 — chrisgiddens
A King is blessed to have fulfilled the fantasy of many men and women: a sorcerer to summon a beautiful mate (with accompanying handmaidens), just for him. But he blows it, of course, after being offended by one of the magician’s follow-up tricks in which the throne is temporarily occupied by someone other than himself. Psssh, men. Typical.
May 14, 2012 — chrisgiddens
A swift (4-minute) adaptation of Gulliver’s Travels (formally, Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships), the 1726 satirical novel by Jonathan Swift. The movie is less focused on developing the plot as a narrative, and more attentive towards recreating and presenting some of the fantastic elements within the story, as alluded to by the title, Le voyage de Gulliver à Lilliput et chez les géants (aka Gulliver’s Travels Among the Lilliputians and the Giants). The visual accomplishments of Méliès are most impressive, especially the amazing hand-painting of frames.
Music performed by Billy Duncan for Change Before Going Productions.