While Le squelette joyeux (The Merry Skeleton) is more lighthearted fun with little-to-no scares [to us modern viewers], with it the Lumiere brothers lay the groundwork for using special effects to create monster movie magic, which has advanced a tad in the 100+ years since.
In fact, only 3 years later, Frederick Armitage successfully transported the skeleton away from the static black background and onto a pirate ship at sea for Davey Jones’ Locker. The next thing you know, Davy Jones is raising hell in a Disney movie setting sail towards $1 billion dollars, literally. Thanks, Lumiere brothers!
June 4, 2012 — chrisgiddens
This past weekend, Classic Movies: The Blog hosted a Mary Pickford blogathon. In addition to being a lovely event containing many beautiful posts and informative links about “America’s Sweetheart”, the below music video I created was also graciously included, for which I am honored. Thanks KC!
Classic Movies: The Blog, on Facebook and Twitter
May 10, 2012 — chrisgiddens
In The Dancing Midget (aka La danseuse microscopique), Méliès makes his foppish assistant regurgitate 6 whole eggs, which are then cracked into a magic hat and turned into a single, larger egg. When the new egg explodes, what springs forth? Why, a tiny ballerina of course!
April 28, 2012 — chrisgiddens
Guy continues her Spanish exploration with three hand-tinted films showing the tango, flamenco, and bolero dancing styles:
The Tango [Le Tango]
The Malaguena and the Bullfighter [La malagueña et le torero]
Saharet Performs the Bolero [Madame Saharet, boléro]
April 19, 2012 — chrisgiddens
An early example of a hand-tinted film, where each frame was painted and which always contain an air of
Music performed by Billy Duncan for Change Before Going Productions.