Batcat: The Dark Kitty.

I guess Batman and Catwoman hooked up after all. (via Dangerous Minds.)

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Silent Screams – The Road to Elm Street | A Nightmare (1896)

Georges Melies — our defending champion — wins spot #2 in the series as well, this time for Le Cauchemar (aka A Nightmare).

It’s not exactly Wes Craven material as the presentation is more humorous than horrific (though Freddy can be a pretty funny dude at times). However, scary movies are so deeply rooted within nightmares that this work by the cinemagician cannot be ignored. It also happens to be highly entertaining and contains excellent stop-motion substitution tricks especially innovative for the time.

September Slapstick: Laurel before Hardy, Hardy before Laurel

Laurel and Hardy were the first double act to gain worldwide fame through film. Together, they made over 100 movies — 32 were silent shorts, 23 were feature-length and contained sound. However, each was already well-established before joining as a duo:

Stanley Arthur “Stan” Jefferson [Laurel] was the older of the two. A music-hall understudy to Charlie Chaplin (pre-Keystone), he appeared in over 50 films. Buster Keaton commented on Laurel’s talent, “Chaplin wasn’t the funniest, I wasn’t the funniest, this man was the funniest.” Below is an early Larry Semon vehicle, Huns and Hyphens, which features a pre-L&H Laurel.

Oliver “Babe” Hardy, affectionately known as Ollie, began his movie career before Laurel, resulting in over 250 films before their team-up. He was from Georgia, my home (and current) state, but I won’t hold that against him. Below is The Servant Girl’s Legacy (dir. Arthur Hotaling), a short from 1914 featuring a 22-year-old Hardy.

September Slapstick: Two of a Kind | Fox Trot Finesse (1915)

I’m including Fox Trot Finesse (dir. Maurice Morris) in this Slapstick Series for 3 reasons:

  1. Mr. & Mrs. Sidney Drew were one of the 1st silent film comedy teams.
  2. Sidney was the uncle of John, Lionel, and Ethel Barrymore (and therefore the great-granduncle of Drew Barrymore).
  3. Mrs. Sidney Drew is a spiritual ancestor to the Fake Shemp. Very soon after the death of Drew’s 1st wife — the original Mrs. Sidney Drew (Gladys Rankin) — he married Lucile McVey, who became the new Mrs. Sidney Drew character.
Mr. and Mrs. Sidney Drew have a joint Star on the Hollywood Walk of Fame, though I am unsure whether that is for Mrs. Drew #1 or #2.

September Slapstick: The Super Friends | A Film Johnnie (1914)

On this final day of September, I’m posting a couple entries on silent comedy teams — those two are coming later today.

Before that, I wanted to give a final shout-out to Mack Sennett and his repertory players, specifically Charlie Chaplin, Mabel Normand, Fatty Arbuckle, and Ford Sterling. They all make an appearance in A Film Johnnie, a meta-movie directed by George Nichols, in which Chaplin visits the Keystone Studios lot. The mayhem that follows is a prelude to the real-life relationship difficulties that soon existed between each of these stars.

September Slapstick: The Movie Dick | Pool Sharks (1915)

W.C. Fields (born William Claude Dukenfield) was a comedian, actor, juggler and writer. Despite creating a comic persona as a hard-drinking misanthrope — while publicly expressing his contempt for dogs, women, and children — Fields remained a sympathetic and beloved entertainer.

Here is his first film appearance: 1915’s Pool Sharks, directed by Edwin Middleton for the Gaumont Film Company.

September Slapstick: Creating The Tramp | Mabel’s Strange Predicament (1914)

The first time Chaplin donned his “Tramp” costume: Mabel’s Strange Predicament, directed by and starring Mabel Normand. From a 1933 interview, Chaplin recalls The Tramp’s inception:

I was hurriedly told to put on a funny make-up. This time I went to the wardrobe and got a pair of baggy pants, a tight coat, a small derby hat and a large pair of shoes. I wanted the clothes to be a mass of contradictions, knowing pictorially the figure would be vividly outlined on the screen. To add a comic touch, I wore a small mustache which would not hide my expression. My appearance got an enthusiastic response from everyone, including Mr. Sennett. The clothes seemed to imbue me with the spirit of the character. He actually became a man with a soul – a point of view. I defined to Mr. Sennett the type of person he was. He wears an air of romantic hunger, forever seeking death, but his feet won’t let him.” 

Note that this is not the 1st film appearance of The Tramp, based upon release date — Kid Auto Races at Venice was released 2 days earlier (on February 7th, 1914).

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